The Other Screen: Through That Lens

The Other Screen: Through That Lens

November 22, 2012 · by · in Columns, The Other Screen

A look into the horrific and frequently disappointing history of faux-gonzo filmmaking. By Andrew Huntly.

The Scripted Sequence: Apolitical Cutthroat

The Scripted Sequence: Apolitical Cutthroat

November 21, 2012 · by · in Columns, The Scripted Sequence

Sam Fisher’s knife is a Republican. By Ethan Woods.

The Mechanical Void: Bullet Heaven

The Mechanical Void: Bullet Heaven

November 20, 2012 · by · in Columns, The Mechanical Void

A look at the properties of digital projectiles. By Joshua Ens.

Off The Grid: Snapshot

Off The Grid: Snapshot

November 19, 2012 · by · in Columns, Off The Grid

Not one for the Album. By Zachary Brictson.

Shall I list the reasons why?

Shall I list the reasons why?

November 17, 2012 · by · in Features, Reposts

Games journalism is shooting itself in the foot. Joe Köller with a cautionary tale.

Sum of Its Parts

Sum of Its Parts

November 17, 2012 · by · in Features, Reposts

Zachary Brictson reviews a new indie title for us every issue. This time he’s sharing some thoughts on the craft.

Cinemania

Cinemania

November 16, 2012 · by · in Features, Reposts

Who let freedom become the exception? Ethan Woods fighting for more player agency.

Pardon my French

Pardon my French

November 15, 2012 · by · in Features, Reposts

Francisco Dominguez helps us decode Ubisoft’s corporate doublespeak.

An End, Once and for All

An End, Once and for All

November 14, 2012 · by · in Features, Reposts

Mass Effect 3’s ending saw journalists fighting their own community. Andrew Huntly on where the debate went wrong.